Khatifi's work "Khamsa," in particular, stands out among other works because it does not merely repeat the plots of Nizami but introduces new elements and interpretations, making it unique. For example, it includes a new version of the story of Khosrow and Shirin. The poem quickly gained popularity. By the end of the 15th century, it was copied and illustrated in Istanbul for the Ottoman Sultan Bayezid II, who was a passionate admirer of Persian poetry. Later, a century later, the poem was copied again in Mavaranahr during the reign of another literary patron, Muhammad Shaybani.
The miniatures accompanying the poem also play a significant role in the visual perception of the text. Their style may indicate local traditions of Mavaranahr while maintaining a connection with the broader cultural environment of the region. Interestingly, despite their provincial style, these miniatures can serve as important evidence of the artistic process of that time. Thus, Khatifi and his works become an essential part of the cultural heritage of Central Asia and testify to the interconnections between various regions and traditions.
You can learn more about the topic in the book-album "Illustrated manuscripts from Mawarannahr in the collections of France".
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