Orientalism in Russian fine art

Orientalism in Russian fine art

The beginning of the 20th century was not only a period of global social unrest and ups and downs in the evolution of society, and scientific discoveries, but also a period during which the understanding of what defines art was broadened, both in the sense of the attainment of new figurative, expressive and semantic concepts of development, as well as in the sense of its geographic interaction.

Orientalism in Russian fine art

Global art once again experienced an interaction of the East and the West, two major schools, each with their deep philosophical and ideological foundations, with their own artistic view of the world, with a particular understanding of beauty, with their own system of imagery and themes, style and aesthetics. The processes of Europeanisation in the countries of the East led to the appearance of new easel forms of art such as painting, sculpture, graphics, as well as to the formation of national visual arts schools.

However, it is important to note that the current process, the synthesis of the East and the West, was mutual. Not only did the East reach out to the West, but the West also reached out to the East. A unique phenomenon known as “Orientalism” appeared in the European as well as Russian visual arts. This phenomenon turned to the East in order to enrich its substantive, rich language, which was necessary for its further development.

You can learn more about this topic in the book-album "The Collection of Art in the State Tretyakov Gallery" (Volume III) (Moscow, Russia) from the series "The Cultural Legacy of Uzbekistan".

The general sponsor of the project is the oilfield services company Eriell-Group.