In the production of abru fabrics, the warp threads were dyed before being woven, allowing for diverse textures. Both silk and cotton threads were used for the weft, resulting in fabrics of varying quality. To achieve a glossy finish, the fabric was moistened with egg whites and beaten with wooden mallets.
The chapan, a long robe with vibrant patterns, is the primary outer garment for men. Women wore long dresses (kuynak) and trousers (ishton), complemented by chapans and covered their faces with a veil when going out.
Chapan made from luxurious fabrics was worn by both young and older individuals, while wealthy people adorned their garments with belts embellished with precious stones.
The collection of Uzbek textiles at the Hiroshima Prefectural Museum of Art offers the Japanese a glimpse into the rich culture and heritage of Uzbekistan.
You can learn more about the topic in the book-album "Cultural legacy of Central Asia in Japanese Museums" (volume XX) in the series "Cultural Legacy of Uzbekistan in the World Collections".
The main sponsor of the project is the oilfield services company Eriell-Group.
